VOG_0835.jpg Das Ziegenkäsemachen aus der Sicht der Ziege / Nico Pflügler (AT), Aleksa Jović (AT), Gilbert Gnos Productions (AT)ThumbnailsBeat Assault / Nina Diewald (AT), Lina Mottl (AT), Lucas Hinteregger (AT), Mariella Pranjic (AT), Leonard Dirnhofer (AT)Das Ziegenkäsemachen aus der Sicht der Ziege / Nico Pflügler (AT), Aleksa Jović (AT), Gilbert Gnos Productions (AT)ThumbnailsBeat Assault / Nina Diewald (AT), Lina Mottl (AT), Lucas Hinteregger (AT), Mariella Pranjic (AT), Leonard Dirnhofer (AT)Das Ziegenkäsemachen aus der Sicht der Ziege / Nico Pflügler (AT), Aleksa Jović (AT), Gilbert Gnos Productions (AT)ThumbnailsBeat Assault / Nina Diewald (AT), Lina Mottl (AT), Lucas Hinteregger (AT), Mariella Pranjic (AT), Leonard Dirnhofer (AT)Das Ziegenkäsemachen aus der Sicht der Ziege / Nico Pflügler (AT), Aleksa Jović (AT), Gilbert Gnos Productions (AT)ThumbnailsBeat Assault / Nina Diewald (AT), Lina Mottl (AT), Lucas Hinteregger (AT), Mariella Pranjic (AT), Leonard Dirnhofer (AT)
Nothing begins. Nothing ends. Everything rots.
Das Ziegenkäsemachen aus der Sicht der Ziege (Making Goat Cheese from the Goat’s Perspective) is not a film, it’s an imposition, a final twitch of the medium. A motionless final ejaculation. A quiet moan from the throat of a being that has forgotten why it ever breathed.

Photo: vog.photo